TUYYA™Plate 07 · OriginesThirteen towns · four axes
Four ways into the register
Town, craft, material, colour — the same 240 entries, entered from four sides. The map is drawn from the thirteen towns we buy from, marked as a constellation of origins. Nothing here is decorative geography.
No palette was chosen. Each field takes its colour from what stands on the plate — which is why the house colour is a spice, and why ivory is never used as a frame.
Vert beldi
#2F6B54
The glass, not a dye. Frames the tea service.
Beldi glasses · tea trays
Safran
#D98324
The spice and the roasted argan. Frames the pantry, marks every button.
Argan · cumin · paprika · OVO
Terre cuite
#A95B33
Fired clay, straight from the kiln.
Tanjias · tagines · berradas
Cuir chameau
#A9713C
Tanned hide; the only colour that changes with use.
Basket trims · poufs
Thuya
#6E4B2A
Root wood, oiled once.
Boxes · lamps
Charbon
#23241E
The frame for metal and wood — where ivory would disappear.
Teapots · lamps · antiques
Ivoire
#FBF8F3
Never a frame: always the plate the object stands on.
Every product photograph
Why it matters
A town on the label is a promise that can be checked
Every product page carries its origin, and every origin leads back here. Thirteen towns, four materials, nineteen years of the same routes — and no piece in the register without one.
Choosing a selection results in a full page refresh.